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Arsenal

Sign reading Gillespie Road and Arsenal.

Picture by bods: Gillespie Road Wall Sign

The station is named after the football team, and the football team is named after war.

It’s not quite that simple, and to follow the story properly you need to look back a hundred and twenty years. Fortunately the Highbury Local Transport History Association is good at that sort of thing; they’ve made charts.

1886. On the south of the river, workers from Woolwich Arsenal start a football team. They call it Dial Square.

1891 and the team goes professional; they change their name to Woolwich Arsenal.

1906. On the north of the river, way up in Highbury, a new station opens on the London Underground: Gillespie Road. This is where the HLTHA starts getting interested, and their charts grow much more detailed.

1913, and the football team in the irrelevant south shifts north, leaving Woolwich Arsenal behind but keeping the name. 1914, and it drops the “Woolwich”. 1932, and the tube station switches its own name, becoming “Arsenal” in a decision that may or may not have involved dodgy dealings from the football team thus honoured.

2006. The team moves again, leaving Highbury behind just like it left Woolwich, falling out of HLTHA records.

And that’s fine, that’s all fine, except that for all these many years the trains have been stretching farther and farther from Highbury, intersecting with new routes, winding south, until finally, in 2009, one of the lines blooms forth a new station: Woolwich Arsenal.

The platforms in Arsenal proper are rarely crowded, so the meetings of the Highbury Local Transport History Association run undisturbed in the main.

“It won’t do,” Hammett says, shaking his head, uncomprehending. “It won’t.”

Unanimity has always been rare in the Association, and it’s rarer still now that there are only two of them left. This time, however, there’s no dispute.

“No,” Mariam says. “No, it won’t.” She never liked the name Arsenal, headed a petition every decade to change back to good old Gillespie Road, but still, she has her loyalties.

“If they’d just named it Woolwich,” Hammett says. “Why didn’t they just name it Woolwich?”

A train runs by, and they suspend the meeting; Mariam notes the suspension in the minutes. Train doors slide open; three people off, one on. Doors close again. The train leaves.

“What are we going to do?” Hammett says, plaintive. “A petition?”

“Not a petition,” Mariam says.

“Then what?”

She leads him down the platform (technically she should have adjourned the meeting first). Someone’s already pasted up a map showing the new station. “If they’re going to call themselves Arsenal,” Mariam says, “they should be prepared to live up to it.”

Hammett hesitates, then traces the lines with his finger. The enemy’s at the end of the DLR: easy to defend, perhaps, but hard to escape from. “We’ll need to set up a research party,” he says. “And appoint a subcommittee for a reconnaissance mission.” He knew how to make gunpowder, once.

“I know,” Mariam says. “It won’t be easy. We’ll have to plan carefully.”

Hammett’s finger is still on the map, stopped at the new station. “We’re good at planning,” he says, although another train’s arriving (technically they should have suspended the meeting again), and he knows Mariam won’t be able to hear.

Posted in Piccadilly Line. Tagged with , , .

Arnos Grove

Arnos Grove underground station by night.

Picture by Nicobobinus: Arnos Grove

Their parents warn them about glue sniffers, and suddenly the park is full of menace. Every sheet of flapping plastic is stirred by a glue-sniffer’s passage, every pigeon storm is a response to a glue sniffer’s approach, every adult-sized footprint behind the bushes, every empty bottle, every stone knocked out of the gap in the viaduct that they mend each weekend.

Bastian looks serious. “And you know what else?” he says. “My dad says Smokey’s gone missing.”

Rebecca’s the only one who’s actually stroked Smokey; Tom hasn’t even seen her, and he peers in every time they walk past the station entrance, just in case.

“You think it was them?” he says, hushed.

On the other side of the viaduct, Gavin isn’t sniffing glue. He tried it, the first time he heard the warnings, but he never understood what it was supposed to do. It didn’t take him long to find something else that was more fun. His brush catches on the crags of the footpath, so he pours the pot onto the ground directly and smears it around with a stick; stands back and tears his marmite sandwich into chunks, scatters it forward. The pigeons descend.

Posted in Piccadilly Line. Tagged with , , .

Archway

Office block near Archway.

Picture by alistercoyne: Archway

Alistair Wilmington has a chess-set on his wide dark desk. He’s quite good. “Business is a game as well, in its way,” he likes to say, and he’s right.

Alistair Wilmington doesn’t realise he’s a pawn.

On the other side of the glass wall, sales and admin sit in their separate clusters. “Good morning, Wilmington Assessments, how can I help?” Rachel says. “Can I ask your name? I see, thank you. And what do you need to speak to him about? I see. Have you spoken to Mr Wilmington about this before? All right, just let me see whether he’s available.” She puts the phone on hold and swirls her mug around, watching turbulence patterns. When she looks up, Jake from the sales team is staring at her from across the room. She takes a sip of tea and smiles, as kindly as she can, then sets the mug down. “I’m afraid he’s in a meeting at the moment,” she says, pulling the call off hold. “Can I take a message?”

Jake looks at his list of data. He’s up to Parkway PR, Partell Ltd, Partridge Consultancies. Granam Todd is listed as Parkway financial director; Jake takes a gamble, asks for Graham, and loses.

“Granam,” he says. “Who’s called Granam?”

Bob shrugs. “Granam Todd is, I guess.”

Jake scrolls down. “I suppose I should just trust the data.”

“You’d think so. But I trusted it on Mr Leigh Madison this morning, and she turned out to be Ms Madison Leigh.”

Jake winces. “That’s nasty.”

“Especially when the MD answers the phone, you assume she’s a PA, and you tell her you met Mr Madison at a networking event a couple of weeks ago and he told you to get in touch.”

“You need to cut down on your lying,” Jake says.

“It’s okay,” Bob says, “I’ll be fine, when she asked for my name I said I was you.”

Jake laughs and goes back to his phone. “Hello,” he says, “it’s Jake Qatar here, I work for Alistair Wilmington, could you put me through to Mike Partell? It’s about a piece of software he wants. Okay, does he have an email address I can send that information through to? No, okay, could you get him to call me back then? He should have my number, but just in case…”

Between their next calls, Bob leans across, hand over his mouth. “Cass says she took the little blonde admin out to lunch and pulled an all-girls-together. Word has it the password this week is ‘anchovy’”, he whispers, glancing over at the desks opposite.

“They can’t lipread,” Jake says.

“I bet they’re learning.”

Jake is never quite brave enough to try the password, anyway. He isn’t sure it exists, and if it doesn’t then saying “anchovy” in the middle of a sales call isn’t going to help his credibility.

On the other side of the room, Dana doodles pictures of fish on a piece of paper. Her loyalties aren’t to be swayed by a bowl of spaghetti carbonara and some banter about lipstick, whatever Cass might think. “Marigold,” she says quietly, and on the other end of the line Rupert puts her through to his director. She transfers her end of the line to Wilmington.

Rupert sits back to go through the post. “Private and Confidential”, as usual, means “junk mail”: it goes straight in the recycling (administrators are responsible people).

At the end of the day, phones down, scores on hold till tomorrow, they all file down the same staircases and along the same hallways and into the same carriages, avoiding each others’ eyes. Bob turns a page of You’ve Got To Make Them Want It: Sales Secrets of the British Empire. Rachel opens a free newspaper, and watches him over the headlines.

Posted in Northern Line. Tagged with , , , .

Angel

The escalators at Angel.

Picture by Fabio Venni of the escalators at Angel

The longest escalator in Western Europe isn’t as long as Nelly had expected.

“No?” Sam says, stovepipe hat askew, fingers tapping on posters as the steps carry him down. “I concede that it isn’t to everyone’s taste.” He taps the last poster twice, harder, and the floor opens beneath them, revealing the other three quarters of the escalator.

“It still isn’t that long,” Nelly says as the floor becomes ceiling and closes behind her. There are posters down here as well, but they’re older: an album from 1996, a TV show from before she was born. By the time they get off they’re passing tattered remains of pre-rationing EAT LESS BREAD.

“Hard though it may be for you to believe it, Helen, maximum escalator length is not the sole determinant of the value of a public transport system. The London Underground’s escalators may be diminutive; its schedules may be charmingly erratic. But these are trifles, because although the Underground is many things,” and he slaps his hand against the tiles on the wall, “it is, above all else, a compelling metaphor for time travel.”

Nelly’s 14, and not easily convinced. “Why?”

“Tush. You’re perfectly capable of working it out for yourself.” He leads her along an empty passage and down a staircase, backward against “WAY OUT” arrows.

The tiles are worn, down here. “There’s… a lot of different lines, like timelines?”

Sam tilts his head in acknowledgement, and carries the motion through to duck under a low doorway without dislodging his hat. “That’s quite good.”

Nelly doesn’t have to duck. “And if you make a little mistake near the beginning, you can end up somewhere completely different.”

“And that’s rather better.” They stop at a wooden door. A long column of warning signs runs down its centre: low ceiling, sudden drop, high voltage, mind the step, these doors are alarmed, hard hat must be worn, fire door keep closed.

It drags a curve through thick dirt on the floor as it opens. Behind it they walk into a corridor with a row of levers that stretches out in all the colours of the tubelines. Nelly notices another at the far end, grimier than the rest, but Sam pulls at the yellow; it screeches, then flips down. He follows it with green, and then brown. “But I was thinking more specifically,” he says, working his way further from the door, “of the way it allows you to travel in time.”

Grey, orange, Victoria blue.

“And the way,” he adds, “it confuses people an awful lot if you stop it running.”

Clunk. White.

Posted in Northern Line. Tagged with , , , , , .

Amersham

Turning siding at end of Amersham station

Picture by Redvers: Turning siding at end of Amersham station

Mud scatters behind them as they run through the doors and gasp for breath, but the train sits in the station for a minute and a half before it leaves. The carriage is almost empty.

Alice is sitting on a newspaper; she pulls it out, crumpled, ink already rubbing off on her hands. It’s folded open to the fashion pages: “girdles are back,” she announces as she throws it over onto an empty seat.

“Sounds good,” David says. “They’re the ones with stockings, right?”

“You’re thinking of garters. Girdles are… you know,” and she nods toward the paper, “if someone decided corsets were too sexy.”

David leans over and picks the paper up. “They’re a prerequisite for this season’s waist-centric fashions?” he reads.

Alice shrugs. “Waists are big this year.”

The girdles are rated out of ten for shaping and comfort. The two numbers seem to be directly opposed. “Call me mad,” David says, “but I tend to buy clothes to fit my shape, instead of changing my shape to fit the clothes.”

Alice leans back as far as the seat design allows, and looks him up and down. “You’re a man,” she says.

“Yeah,” he says. “Also: single, heterosexual, good at cooking, decently paid, quite keen on children, tall and with no facial hair. I don’t even play video games. According to this sort of thing,” and he shakes the paper, “I’m the demographic you lot are supposed to be trying to appeal to. I’m pretty sure wrapping yourselves in layers of flesh-coloured elastic is almost exactly the wrong way to go about it.”

Alice grins, and takes the paper back. “You say that,” she says, “and you get to sound noble and pretend you like women the way they are, but shoes with heels are basically the same thing. Arse out, tits up, lower apparent BMI, hurts your back a bit if you keep it up too long.”

“I don’t like high heels either,” David says.

Alice pffts. “What’re your women supposed to wear their garters with, then? Hiking boots?”

David blushes, and tries very hard not to look at her feet.

Posted in Metropolitan Line. Tagged with , , .

Alperton

Get Off At Alperton by Route79

Picture by Route79: Get off at Alperton

The pub serves cheap beer and home-made soup of the day, different every time.

The home in “home-made” belongs to Amanda; she cooks at night and carries the pan to the pub first thing in the morning, one stop outward on an empty train against a rush of inbound commuters. The pools of vomit on the platform and cold footpath are coloured by the soup she delivered the day before. Seven days a week, seven colours in the rainbow, she thinks once, but it doesn’t work: they follow her through tomato and carrot and squash and pea, but demur at blueberry.

She tries beetroot, once, and wide pink polka-dots scatter the footpath, stains adhering lightly for weeks after the medium that carried them is washed away. Turmeric and saffron last even longer, until they disappear under autumn leaves.

In winter it’s still dark as she carries the soup in the morning; bus headlights give her unstable shadows. Everything is purple and murky orange under the reflected light of the London sky.

She goes on a research trip to South America, leaving two weeks’ frozen soup in the pub kitchen. Some of the regulars complain. In the desert at night—air switching from warm to cold in a single lungful, sky clearer than she’s ever seen it—she scans a UV torch across the sand and watches for the pinprick dots of light. She’s got a bucket, and a secret compartment in her suitcase, and a recipe for scorpion gazpacho.

Posted in Piccadilly Line. Tagged with , , .